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Curiosities Respecting the Arts

At every motion the wheels are heard; the image moves its head, and looks over every part of the chess-board. When it checks the queen, it shakes its head twice; and thrice in giving check to the king. It likewise shakes its head when a false move is made, replaces the piece, and makes its own move, by which means the adversary loses one. M. de Kempelin exhibited his automaton at Petersburg, Vienna, Paris, and London, before thousands, many of whom were mathematicians, and chess players, and yet the secret by which he governed the motion of its arm was never discovered. He valued himself upon the construction of a mechanism, by which the arm could perform ten or twelve moves. It then needed to be wound up like a watch, after which it was capable of continuing the same number of motions. This automaton could not play unless M. de Kempelin, or his assistant, was near it to direct its movements. A small square box was frequently consulted by the exhibiter during the game, and in this consisted the secret, which the inventor declared he could communicate in a moment. Any person who could beat M. de Kempelin at chess, was sure of conquering the automaton. EXTRAORDINARY PIECES OF CLOCK-WORK.-Amongst the modern clocks, those at Strasburg and Lyons are very eminent for the richness and variety of their furniture, and for their motions and figures. In the former, a cock claps his wings, and proclaims the hour, and an angel opens a door, and salutes the Virgin; while the Holy Spirit descends on her, &c. In the latter, two horsemen encounter, and beat the hour on each other; a door opens, and there appears on the theatre the Virgin, with Jesus Christ in her arms; the Magi, with their retinue, marching in order, and presenting their gifts; two trumpeters sounding all the while to proclaim the procession. These, however, are excelled by two which were lately made by English artists, and sent as a present from the East India Company to the Emperor of China. These clocks are in the form of chariots, in which are placed, in a fine attitude, a lady, leaning her right hand upon a part of the chariot, under which is a clock of curious workmanship, little larger than a shilling, that strikes and repeats, and goes eight days. Upon her finger sits a bird finely modelled, and set with diamonds and rubies, with its wings expanded in a flying posture, and it actually flutters for a considerable time on touching a diamond button below it; the body of the bird (which contains part of the wheels that in a manner give life to it) is not the bigness of the 16th part of an inch. The lady holds in her left hand a gold tube not much thicker than