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Curiosities of Literature (Anlaire may be regarded)

Anlaire may be regarded as a prodigy at the age of seventy he began to court the Muses, and they crowned him with their freshest flowers. His verses are full of fire, delicacy, and sweetness. Voltaire says, that Anacreon, less old, produced less charming compositions. Chaucer's Canterbury Tales were the composition of his latest years: they were begun in his fifty-fourth year, and finished in his sixty-first: it is on these works his fame is established, at least they are those which are most adapted to attract all classes of poetical readers.

The celebrated Boccacio was thirty-five years of age when he began his studies in polite literature. He has, however, excelled many whose whole life has been devoted to this branch of letters. Such is the privilege of genius.

Ludovico Monaldesco, at the extraordinary age of 115, wrote the memoirs of his time: a singular exertion, noticed by Voltaire, who himself is one of the most remarkable instances of the progress of age in new studies. Koonhert began at forty to learn the Latin and Greek languages, of which he became a master; several students, who afterwards distinguished themselves, have commenced as late in life their literary pursuits. Ogilby, the translator of Homer and Virgil, knew little of Latin or Greek, till he was past fifty; and Franklin's philosophical pursuits began when he had nearly reached his fiftieth year Accorso, a great lawyer, being asked why he began the study of the law so late, answered, that indeed he began it late, but should therefore master it the sooner.

Dryden's complete works form the largest body of poetry from the pen of one writer in the English language; yet he gave no public testimony of poetical abilities till his twentyseventh year. In his sixty-eighth year he proposed to translate the whole Ilias; his most pleasing productions were written in his old age.

Michael Angelo preserved his creative genius even in extreme old age; for he worked almost to his last day, and he reached his ninetieth year. He alludes, doubtless, to himself in an ingenious device, if it be of his own invention: A venerable old man is represented in a go-cart, an hour-glass upon it, with the inscription, ANCORA IMPARO! YET I AM LEARN- ING!

LITERARY SHOEMAKERS.-The fraternity of shoemakers have unquestionably given rise to some characters of worth and genius. The late Mr. Holcroft was originally a shoemaker. His dramatic pieces must rank among the best of those on the English stage. Robert Bloomfield wrote his poem of "The Farmer's Boy," while employed at this business,