The World's Encyclopedia of Wonders and Curiosities

Everything a Victorian found astonishing, gathered into one enormous volume — burning springs and buried cities, freaks of storm and flood, the habits of bees and the manners of nations, filed under headings like “Curiosities Respecting Man.”

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Curios Ties Respecting Temples, Etc

we have noticed in our account of the Vatican, here received distinguished honours, within a space railed in; and the Apollo Belvidere is equally honoured, in giving name to one of the halls.

These exquisite works are described in a catalogue, which may be obtained in the gallery; and of the manner we shall venture to give a specimen, hoping that a similar method may be adopted, to explain the objects offered to view in our national repository. Under the head 'Pythian Apollo, called the Apollo Belvidere, the author of the catalogue observes, "This statue, the most sublime of those preserved by time, was found, near the close of the fifteenth century, twelve leagues from Rome, at Cape d'Anzo, on the borders of the sea, in the ruins of ancient Antium, a city equally celebrated for its Temple of Fortune, and for its pleasant mansions, erected by successive emperors, which, emulous of each other, they decorated with the most rare and excellent works of art. Julius II. when a cardinal, obtained this statue, and placed it in the palace where he resided, near the church of the Holy Apostles. After his elevation to the pontificate, he had it removed to the Belvidere of the Vatican, where it remained three centuries an object of universal admiration. A hero, conducted by victory, drew it from the Vatican, and causing it to be conveyed to the banks of the Seine, has fixed it here for ever."

Another Museum established at Paris after the return of order, is that of the National Monuments. These were indiscriminately destroyed, or mutilated, during the first frantic emotions of the revolution; and this act contributed not a little to the general dislike it excited: at length the most enlightened part of the National Convention decreed imprisonment in chains to those who should thenceforward injure or destroy the marble and bronze records of their country. Le Noir, a man of taste and learning, seized this opportunity of rescuing the French nation from the reproach it had incurred by destroying what was honourable to themselves; and conceived that, though late, it might still be possible to collect whole monuments in some instances, and fragments in others, sufficient to interest foreigners in favour of his country, or at least to evince to them that a change in sentiment had taken place. Fortunately his plan received public encouragement, and he has, through the assistance of government, procured an astonishing number of specimens from all parts of the kingdom.

Mr. Pinkerton observes of this collection, "It will not escape the attention of the reader of taste, that the arrangement is confused, nay, often capricious, and is capable of great improvement." And Le Maitre says, upon the same MUSEUMS. subject, "After several hours employed in this second view, I continue of my former opinion, that the spot (formerly a convent) in which these monuments are collected, is infinitely too small; that the garden, meant to be the tranquil site of sepulchral honours, and the calm retreat of departed grandeur, is on so limited a scale, so surrounded with adjoining houses, and altogether so ill arranged, that instead of presenting the model of "Those deep solitudes Where heav'nly pensive contemplation dwells, And ever musing melancholy reigns;" it might easily be mistaken for the working yard of a statuary, or the pleasure ground of a tasteless citizen, decked out with Cupids, Mercuries, and Fawns." Both these authors, however , agree in praising the motives and perseverance of Le Noir.

Oxford has the honour of producing the first, and not the least important Museum in England; which was founded in 1679, and the building completed in 1683, at the expense of the university. The students, the public, and the professors, are indebted to Elias Ashmole, Esq. for an invaluable collection of interesting objects presented by him for their use, and immediately placed within it; since which period it has been called the Ashmolean Museum. The structure, in the Corinthian order of architecture, has a magnificent portal; and the variety and value of the articles contained in it, renders a visit to the apartments highly gratifying, particularly as they are increased from time to time, as often as rare objects can be procured.

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