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Introduction: Japanese

FIG. 1. FISHERMAN ATTACKED BY OCTOPUS. (Facsimile from a drawing by Hokusai, a celebrated Japanese artist who lived about the beginning of the present century.) Victor Hugo was ridiculed for having exceeded the bounds of poetic license when he produced his marvellous wordpainting of the devil-fish, and described a man as becoming its helpless victim. The thing was derided as a monstrous * Pop. Sci. Monthly, No. 60, April 1877. impossibility; yet within a few years were discovered, on the shores of Newfoundland, cuttle-fishes with arms extending to thirty feet in length, and capable of dragging a good-sized boat beneath the surface; and their action has been reproduced for centuries past, as the representation of a wellknown fact, in net sukes (ivory carvings) and illustrations by Japanese artists.* * "By the kindness of my friend, Mr. Bartlett, I have been enabled to examine a most beautiful Japanese carving in ivory, said to be one hundred and fifty years old, and called by the Japanese net suke or togle. These togles are handed down from one generation to the next, and they record any remarkable event that happens to any member of a family. This carving is an inch and a half long, and about as big as a walnut. It represents a lady in a quasi-leaning attitude, and at first sight it is difficult to perceive what she is doing; but after a while the details come out magnificently. The unfortunate lady has been seized by an octopus when bathing for the lady wears a bathingdress. One extended arm of the octopus is in the act of coiling round the lady's neck, and she is endeavouring to pull it off with her right hand; another arm of the sea-monster is entwined round the left wrist, while the hand is fiercely tearing at the mouth of the brute. The other arms of the octopus are twined round, grasping the lady's body and waist-in fact, her position reminds one very much of Laocoon in the celebrated statue of the snakes seizing him and his two sons. The sucking discs of the octopus are carved exactly as they are in nature, and the colour of the body of the creature, together with the formidable aspect of the eye, are wonderfully represented. The face of this Japanese lady is most admirably done; it expresses the utmost terror and alarm, and possibly may be a portrait. So carefully is the carving executed that the lady's white teeth can be seen between her lips. The hair is a perfect gem of work; it is jet black, extended down the back, and tied at the end in a knot; in fact, it is so well done that I can hardly bring myself to think that it is not real hair, fastened on in some most ingenious manner; but by examining it under a powerful magnifying glass I find it is not so-it is the result of extraordinary cleverness in carving. The back of the little white comb fixed into the thick of the black hair adds to the effect of this magnificent carving of the hair. I congratulate Mr. Bartlett on the acquisition of this most beautiful curiosity. There is an inscription in Japanese characters on the underneath part of the carving, and Mr. Bartlett and myself would, of course, only be too glad to get this translated." - Frank Buckland, in Land and Water. Before the days of Darwinism, what courage was requisite in a man who propounded any theory a little bit extravagant! Hark how, even less than twenty years ago, the ghost of the unfortunate Lord Monboddo had bricks of criticism pelted at it, half earnestly, half contemptuously, by one of our greatest thinkers, whose thought happened to run in grooves different from those travelled in by the mind of the unfortunate Scotchman. "Lord Monboddo* had just finished his great work, by which he derives all mankind from a couple of apes, and all the dialects of the world from a language originally framed by some Egyptian gods, when the discovery of Sanskrit came on him like a thunderbolt. It must be said, however, to his credit, that he at once perceived the immense importance of the discovery. He could not be expected to sacrifice his primordial monkeys or his Egyptian idols, &c."