Famous Impostors

Bram Stoker spent his last years collecting history's great frauds: pretenders to thrones, alchemists and witch-finders, the Tichborne Claimant — and the strange Cotswold legend that Queen Elizabeth was really a boy.

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Cagliostro: Rosy

Aided by these adjuncts he was a great success in Paris whither he returned in 1785. As an impostor he knew his business and played "the game" well. When he was at work he brought to bear the influence of all his "properties," amongst them a tablecloth embroidered with cabalistic signs in scarlet and the symbols of the Rosy Cross of high degree; the same mysterious emblems marked the globe without which no wizard's atelier is complete. Here too were various little Egyptian figures- "ushabtui" he would doubtless have called them had the word been in use in his day. From these he kept his dupes at a distance, guarding carefully against any discovery. He evidently did not fear to hurt the religious susceptibilities of any of his votaries, for not only were the crucifix and other emblems of the kind placed amongst the curios of his ritual, but he made his invocation in the form of a religious ceremony, going down on his knees and in all ways cultivating the emotions of those round him. He was aided by a young woman whom he described as pure as an angel and of great sensibility. The said young person kept her blue eyes fixed on a globe full of water. Then he proceeded to expound the Great Secret which he told his hearers had been the same since the beginning of things and whose mystery had been guarded by Templars of the Rosy Cross, by Magicians, by Egyptians and the like. He had claimed, as the Comte Saint-German said, that he had already existed for many centuries; that he was a contemporary of Christ; and that he had predicted His crucifixion by the Jews. As statements of this kind were made mainly for the purpose of selling the elixir which he peddled, it may easily be imagined that he did not shrink from lying or blasphemy when such seemed to suit his purpose. Daring and recklessness in his statements seemed to further his business success, so prophecy-or rather boastings of prophecy after the event-became part of the great fraud. Amongst other things he said that he had predicted the taking of the Bastille. Such things shed a little light on the methods of such impostors, and help to lay bare the roots or principles through which they flourish.

After his Parisian success he made a prolonged tour in France. In la Vendée he boasted of some fresh miracle of his own doing-on each day; and at Lyons the boasting was repeated. Of course he occasionally had bad times, for now and again even the demons on whose acquaintance and help he prided himself did not work. In London after 1772, things had become so bad with him that he had to work as a house painter under his own name.

Whatever may have been his skill in his art this was probably about the only honest work he ever did. He did not stick to it for long however, for four years afterwards he lost three thousand pounds by frauds of others by whom he was introduced to fictitious lords and ladies. Here too he underwent a term of imprisonment for debt.

Naturally such an impostor found in Freemasonry, which is a secret cult, a way of furthering his ends. With the aid of his wife, who all through their life together seems to have worked with him, he founded a new branch of freemasonry in which a good many rules of that wonderful organisation were set at defiance. As the purpose of the new cult was to defraud, its net was enlarged by taking women into the body. The name used for it was the Grand Egyptian Lodge-he being himself the head of it under the title of the Cophte and his wife the Grand Priestess. In the ritual were some appalling ceremonies, and as these made eventually for profitable publicity, the scheme was a great success and the elixir sold well. This elixir was the backbone of his revenue; and indeed it would have been well worthy of success if it had been all that he claimed for it. Dispensers of elixirs are not usually backward in proclaiming the virtues of their wares; but in his various settings forth Cagliostro went further than others. He claimed not only to restore youth and health and to make them perpetual, but to restore lost innocence and effect a whole moral regeneration. No wonder that he achieved success and that money rolled in! And no wonder that women, especially of the upper classes, followed him like a flock of sheep! No wonder that a class rich, idle, pleasureloving, and fond of tasting and testing new sensations, found thrilling moments in the great impostor's mélange of mystery, religion, fear, and hope; of spirit-rapping and a sort of "black mass" in which Christianity and Paganism mingled freely, and where life and death, good and evil, whirled together in a maddening dance.

It was not, however, through his alleged sorcery that Cagliostro crept into a place in history; but by the association of his name with a sordid crime which involved the names of some of the great ones of the earth. The story of the Queen's Necklace, though he was acquitted at the trial which concluded it, will be remembered when the vapourings of the unscrupulous quack who had escaped a thousand penalties justly earned, have been long forgotten. Such is the irony of history! The story of the necklace involved Marie Antoinette, Cardinal Prince de Rohan, Comte de la Mottean officer of the private guard of "Monsieur" (the Comte d'Artois), his wife Jeanne de Valois, descended from Henry II through Saint-Remy, his natural son and Nicole de Savigny. Louis XV had ordered from MM. Boemer et Bassange, jewellers to the Court of France, a beautiful necklace of extraordinary value for his mistress Madame du Barry, but died before it was completed. The du Barry was exiled by his successor, so the necklace remained on the hands of its makers. It was, however, of so great intrinsic value that they could not easily find a purchaser. They offered it to Marie Antoinette for one million eight hundred thousand livres; but the price was too high even for a queen, and the necklace remained on hand. So Boemer showed it to Madame de la Motte and offered to give a commission on the sale to whoever should find a buyer. She induced her husband, Comte de la Motte, to join with her in a plot to accomplish the sale. De la Motte was a friend of Cagliostro, and he too was brought in as he had influence with the Cardinal Prince de Rohan whom they looked on as a likely person to be of service. He had his own ambitions to acquire influence over the queen and use her for political purposes as Mazarin had used Anne of Austria. De Rohan was then a man of fifty-not considered much of an age in these days, but the Cardinal's life had not made for comparative longevity. He was in fact something of that class of fool which has no peer in folly-an old fool; and Jeanne de la Motte fooled him to the top of his bent. She pretended to him that Marie Antoinette was especially friendly to her, and shewed him letters from the queen to herself all of which had been forged for the purpose. As at this time Madame de la Motte had borrowed or otherwise obtained from the Cardinal a hundred and twenty thousand livres, she felt assured he could be used for the contemplated fraud. She probably had not ever even spoken to the queen but she was not scrupulous in such a small matter as one more untruth. She finally persuaded him that Marie Antoinette wished to purchase the necklace through his agency, he acting for her and buying it in her name. To aid in the scheme she got her pet forger, Retaux de Vilette, to prepare a receipt signed "Marie Antoinette de France." The Cardinal fell into the trap and obtained the jewel, giving to Boemer four bills due successively at intervals of six months. At Versailles de Rohan gave the casket containing the necklace to Madame de la Motte, who in his presence handed it to a valet of the royal household for conveyance to the queen.

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