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Postage Stamp Collecting, or Philately: Saxons

There are numerous other exquisite specimens of the engraver's art to be found in a collection of postage stamp. The French republics, the Greek Mercuries, the Russian and Polish adhesives, and the Hong Kongs are admirable. The current Saxons, Bavarians, all the Portuguese, and the lately emitted Heligolands are the best examples of the relief or cameo style: engravings of these give but a poor idea of the original. The same method of type is much less effective in the Prussians, Oldenburgs, Schleswigs and Holsteins; but radiates in full effulgence in the faultless envelopes of our own country, in those of Baden, Hanover, and the extinct Saxons and Prussians; with our colonials of Ceylon and the Mauritius.

The American Bank Note Company, we must perforce, most unpatriotically, admit to be unrivalled in plain engraving; of which the Nova Scotias, and some others noted above are instances: the trio of large newspaper and periodical labels issued last year in the United States, which bear the profiles of Washington, Franklin, and Lincoln respectively, and the Central-Fair locals too, are wellnigh perfection. The symbolical Newfoundlands are equally noteworthy.

To the same, or a branch firm, we believe ourselves indebted for the lovely landscapes of Guatemala, Nicaragua, Costa Rica, and Salvador. The swans of Western Australia, repeated in such variety of colour, ever attract attention; as do the keys of Bremen, the castles of Hamburg, the compounds of mysterious Bergedorf, the eagles of Lubeck, the quaint emissions of the Argentine Confederation, and the crossed keys and tiara of the Papal States, after the eye is wearied by the incessant array of heads and armorial bearings exhibited by the majority of stamp-emitting countries. The adhesives of the kingdoms once composing the Two Sicilies are both equally remarkable; that of Naples for its singularity, that of Sicily from its peculiar boldness of design and rich colouring.

The first stamps of Luxembourg, those of the Dutch East Indies, and Holland, exhibit marvellous variations in the portraiture of one and the same individual sovereign.

The marketable value of a postage stamp for collections does not, however, by any means, depend upon its beauty or deformity. The greater portion of the more attractive in appearance are purchasable at a very low figure: the most beautiful of all, the Nova Scotian black profile, can be had at its natal place for one cent, or an English halfpenny. The circular specimen of meagre ugliness below may be worth a couple of sovereigns, even when cancelled; a moderately well-stored juvenile album could be purchased for the price of an unused specimen, were such existing, which we strongly doubt. That of Romagna and the early Van Diemen's Land are little better.