Every Boy's Book

Hop-scotch to hare-and-hounds, conjuring to chemistry, rabbits to rowing — the complete Victorian repertoire of things for a boy to do, set down with rules and diagrams.

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Parallel Bars

These are two pieces of wood, from six to eight feet in length, and about four inches square, the edges rounded. For lads, they are fixed at about eighteen inches apart, and supported by two round stand ards, firmly fixed in the ground, from three to four feet high, according to the stature of the boys. Balancing.--Being placed between the bars and in the centre, put your hands right and left on the bars at the same time. After a little jump upwards, preserve your equilibrium on both wrists, the legs close; this is called the first position. Then communicate to your body a gentle movement of balancing from behind, forwards, and continue this for several times, the body moving as it were upon a pivot. This should be practised until the body swings freely backwards and forwards.

To bring both legs over.--From the first position, after a little movement of balancing, bring both legs, close and at once, over one of the bars forwards, without touching it or moving your hands from the place. The same ought to be made backwards, from right to left.

To jump out.--After having communicated to the body a movement of balance, the moment at which the legs are raised over the bars, jump backwards over the right without touching it with the feet or waist; then perform the same jump forwards. By the vaulting jump you may easily come between the bars, and also bring your body over ooth without touching them otherwise than with your hands.

To rise and sink down.--Being in equilibrium in the middle of the bars, place the legs backwards, the heels close to the upper part of the thigh. From this position, come gently down, till the elbows nearly meet behind the back, then rise up gently without any impulse or touching the ground with your feet. To kiss the bar behind the hands.--In the same position as before, bring the body gently down between the bars without touching the ground with your knees; kiss the bar behind each hand alternately, and then rise up in the first position.

Jumping on the Bars.--Keep the knees straight and jump along the bars backward and forward. Afterwards, do the same with the fingers turned inside. These will be learned easier, if the young gymnast tries them first with bent knees. Walking on the Bars.--Walk on the hands to the end and back again. In walking backwards, take care to keep the elbows straight, or you will come down. When this is done with ease, do the same, only keep your fingers inside the bars. L.--Sit on the ground between the bars; take hold of the bars with your hands and raise your body still in the sitting position, and stay there as long as you can. When that is learned, jump along the bars in the same attitude. Keep your knees straight, and don't mind if your limbs ache a little. The Arm Swing.--Rest the fore arms on the bars and swing. When tired of swinging, let the body hang straight, and then rise on the hands. Not easy at first, but soon done with practice.

The Roll.--Rest on the fore arms, swing backward, and turn completely over, catching the bars under the arms. It looks difficult, but is easy enough, only wanting a little nerve.

The Janus.--Sit astride the bars, having your hands rather behind. Now raise the feet, swing through the bars, and come up astride on the other side. Your arms will then be twisted, and your face will be looking in the opposite direction. Swing boldly, or the shins will be knocked against the bars. The Sausage.--Kneel on the bars. Stretch the hands as far forward as possible, and hitch the toes over the bars behind, at the same time stretching them backwards as far as possible. Now let the body sink between the bars, being supported by the hands and in steps. Now rise again. Difficult, but soon learnt.

To stand on a bar.--Sit astride one of the bars. Place the heel of the right foot on the bar, hitching the left instep under it. Draw yourself up by means of the left instep. Take care of your balance. This is a very useful accomplishment, and may possibly stand the gymnast in good stead. The Drop.--Stand on the bars with each foot over one of the posts. Spring slightly into the air, put the feet together, and come down stiff, catching yourself by your hands. This should be done over the posts, as the bars might be broken, were the weight of the faller to come in the middle. The Spring.--Swing at one end, and with a sudden impulse leap to the other on your hands. Take care of the balance of the body, or you will come on your back between the bars.

The Barber's Curl.--Hang on one end of the bars as in the L. Keep the knees straight, and turn over slowly, not letting the feet come to the ground. Stay there while you count ten, and come back the same way.

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