Every Boy's Book

Hop-scotch to hare-and-hounds, conjuring to chemistry, rabbits to rowing — the complete Victorian repertoire of things for a boy to do, set down with rules and diagrams.

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Form of the Horse

It is a common observation of the horseman that the horse can go in all forms; and this is borne out by the fact, that he does occasionally do so; but nevertheless, it is well known, that among a large number it will be found that those whose form is most in accordance with the shape considered the best by good judges, will turn out the best movers. In technical language, the horse whose "points" are the best will be the best horse. These points are considered to be: a neat head well set on a lean wiry neck, the latter with a very gentle curve, whose convexity looks upwards (the opposite form to this makes the "ewe neck"); moderately high withers; a sloping shoulder, wide in the blade, which should be well furnished with muscles: strong muscular loins; a croup not too straight nor too drooping, with the tail set on with an elegant sweep; ribs well rounded, and carried back near to the hips, so as to make the horse what is called "well ribbed;" circumference or girth of good dimensions, indicating plenty of "bellows' room;" thighs and arms muscular; hocks and knees bony and large, without being diseased; cannon bones large and flat, with the suspensory ligament and tendon large, strong, and clearly defined; fetlock joints strong, but not round and inflamed. The eye should be full, clear, and free from specks; and the ears should be moderately small and erect; the feet should be round, and not contracted at the heels, with a well-formed frog.

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