Every Boy's Book

Hop-scotch to hare-and-hounds, conjuring to chemistry, rabbits to rowing — the complete Victorian repertoire of things for a boy to do, set down with rules and diagrams.

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Answer to No. 8: Puzzle

The cabinet-maker must find the centre of the circle, and strike another circle, half the diameter of the first, and having the same centre. Then cut the whole into four parts, by means of two lines drawn at right angles to each other, then cut along the inner circle, and put the pieces together as in the above diagram. 15. ANSWER TO THE STRING AND BALLS PUZZLE.

Draw the loop well down, slipping either ball through it. Push it through the hole at the extremities, pass it over the knot, and draw it through again. The same process must be repeated with the other ball; the loop can then be drawn through the hole in the centre, and the ball will slide along the cord until it reaches the other side. The string is then replaced, having both balls on the same side.

This plan of passing the loop over the knot is a key to all the puzzles of this nature.

There is another and perhaps a neater way of performing this trick. Draw the loop through the central hole, and bring it through far enough to pass one of the balls through. Having done this, draw the string back, and both balls will be found on the same side. 16. ANSWER TO THE DOUBLE-HEADED PUZZLE.

Arrange them side by side in the short arms of the cross, draw out the centre piece, and the rest will follow easily. The reversal of the same process will put them back again. 17. THE ROW OF HALFPENCE.

To perform this trick successfully, you must place the fourth on the first, seventh on the third, fifth upon the ninth, the second upon the sixth, and the eighth upon the tenth. 18. TYPOGRAPHICAL PUZZLE.

This puzzle should be read thus:- If your grate be (great B) empty, put coal on.

When your grate is (great IS) full, stop putting coal on. 19. THE LANDLORD MADE TO PAY.

The counting, which stopped at every seventh man, was made to begin at the sixth from the landlord, who sat at the end of the table. 20. FATHER AND SON.

The trees were planted in this form:- UNDER this head we describe those shows which may be exhibited by any ingenious youth for the amusement of a large circle of friends. Parents frequently employ the itinerant Punch-and-Judy man to astonish and delight a juvenile party with his comical puppets; and we are convinced that they act wisely, as children of all ages enjoy nothing so much as a good show. The reader, by following our directions, may exhibit the freaks of Punch and Judy, the dancing figures of the Fantoccini, the grotesque shadows of the Gallanty Show; in fine, he may become quite an expert showman. By following our directions, the reader may, with comparatively little trouble, construct some comical puppets, and acquire sufficient skill in working them, to give private representations of the celebrated drama of "Punch and Judy," which never fails to excite the laughter of old and young. In carving the heads of the puppets, the ingenuity of the reader will be most severely taxed. Each head must be fashioned out of a piece of soft wood, with a sharp penknife, and then painted with oil colours. An old wooden doll will be a capital model for the reader to work from, only he must cut much deeper, in order to make the features of his puppets sufficiently prominent. Punch's nose and chin may be formed of separate pieces of wood, and then fastened on to the face with a little glue. Our artist has drawn a full-length figure of Punch (sec next page), and the faces of the other characters in the drama--namely, 1. Judy; 2. Beadle; 3. Foreigner; 4. Ghost; 5. Doctor; 6. Clown; 7. Jones; 8. Hangman. The carver should study these illustrations attentively, and endeavour to imitate them. The eyes of the Ghost are two black beads, which may be fixed by pins, or loosely attached by short pieces of thread, so that they may roll about in their saucer-like sockets. The eyes of the other puppets may be formed of white beads, fixed by black-headed pins in small cavities made to receive them. The hair and beard of the Foreigner, and the Clown's three tufts, may be made of any kind of fur; the Hangman's wig, and the Doctor's scanty locks, of worsted. Each head should be about the size of an ordinary hen's egg, and should have a hole made at the bottom, large enough to receive the tip of the showman's finger. Punch is the only puppet that exhibits his legs to the audience, and therefore the only one requiring lower limbs; these legs, as well as the hands of all the characters, are to be cut out of wood and painted. The cloth figures of the puppets must be so constructed, that the exhibitor can easily slip them over his hand and wrist; to these hollow bodies the heads and hands are to be securely fastened with a little glue, or some small tacks. Punch's figure may be formed of red merino, or any other gay-coloured stuff; the "goodly hunch" and prominent stomach must not be forgotten; these important appendages may be stuffed with cotton or tow. Judy's dress may be made of cotton print; the Beadle's, of blue cloth, edged with gold lace; the Foreigner's, of almost any kind of stuff; the Doctor's, of black cloth; and the dresses of Jones and the Hangman, of any sober-coloured stuffs. The Ghost must be enveloped in a long white linen gown; and the popular favourite, the Clown, must be arrayed in the true pantomimic style. In constructing the dresses, the reader will have his patience sorely tried, unless he can persuade a few young ladies to aid him with their nimble fingers. Motion is given to each of the puppets by the showman's hand, the forefinger of which moves the head, while the thumb and second finger work the two arms; the annexed engraving will elucidate this operation. We have not yet alluded to two important characters in the drama--namely, the Baby and the eccentric dog Toby. Any little doll may be dressed in long-clothes to represent the Baby, so the reader may be spared the trouble of carving another head. The part of Toby is generally filled by a living performer, but as we do not suppose the reader to be the owner of a properly-trained cur, we recommend him to procure one of those barking or squeaking dogs which are sold at the toy-shops; with such a Toby, the fun of the piece will be increased rather than diminished.

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